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She is in the middle of grimacing at her own reflection in the small compact mirror she found at the bottom of her overnight bag when Mulder shows up at her hospital room, keys jangling in his hand as he hovers in the doorway, neither outside nor inside, like he's uncertain about what kind of proximity he's allowed this morning. Like she's a skittish cat he's trying to win over. And what grates at her isn't his tenuous disposition—it's that it's completely warranted, and it's so jarring to be known so well.
She knows that he knows that she bared her heart to him last night, and is now grappling with mortification. She's never been good with emotions. In college, she could do a walk of shame with her head held high, but when a lover would voice their affection for her she would suddenly become incapable of looking them in the eye. Her heart is in a lockbox and sometimes she goes so long without opening it she almost forgets the combination, and when she does manage to pop it open she gets frantic, wanting to immediately slam it shut.
"You about ready to go?" Mulder asks casually. Too casually. He's assessing her like he would a suspect, adjusting his tone to meet her mood and make himself more approachable, and she wants to snap at him for profiling her, but she won't. She can't. Not without confirming his analysis of her, and she doesn't need to open the spine of her book any wider when he can already read her with such clarity.
In her writings—the filled pages already torn from the notebook and shredded into pieces in the wire trash bin next to her bed—she had thought she was divulging the secrets of her heart to him. It occurs to her only now, as he watches her from across the room with a purposefully mild expression, that while he may not know her every thought, he is the only other person who knows the combination to the lockbox in her chest. He could open it at any time, but he doesn't. He could reach inside her and hold her beating heart in his cupped hands, learning every detail and committing it to memory, but he would never take from her anything that wasn't freely given. His respect is almost more overwhelming than anything, because it's a reminder that if he weren't an honorable man he could ruin her. He has access to her nuke, and she can do nothing but trust that he won't hit the button.
"Yeah, just a second," she replies—casual.
She slips the compact mirror back inside her bag and gets to her feet. She tries to summon the woman inside her who walks down the hallways of the Hoover Building—confident, assertive, and unaffected by stares or assumptions—but it's difficult without her body armor. Even though she only had one infusion of the chemo, her body still feels frail and hungover, like the day after a bad twenty-four hour flu, and she's wearing flats with her yoga pants and sweater, highlighting the height disparity between the two of them in a way her heels usually help to mitigate. There wasn't a hair dryer to use after her shower, so the natural curls she usually irons out are taking over, absurdly making her feel disorderly and sloppy. And she's not wearing makeup, and it's not the dark circles around her eyes or even the mole above her lip that she's self-conscious about—it's the freckles that spatter across her cheeks and nose. Well put together women don't have freckles, and she's sure he's going to interpret her vulnerabilities on her sun-kissed skin like the soggy tea leaves at the bottom of a china cup.
The worst part of dying, she's starting to think, is the discovery that her walls that felt sturdy like concrete are actually made of straw, and there's nothing like an illness to come sweeping through to blow your house down.
On the way out of the hospital they pass the room Penny died in. She looks away from the door, and Mulder looks at her. In a blink-and-you-miss-it moment he reaches over and squeezes her hand.
They don't say anything.
Scully thinks his choice of silence says more than words ever could.
*
When she wakes up on her couch she isn't sure if it was the nightmare that roused her, or the relentless throbbing in her head.
The ride back home from Allentown had been uncomfortable in every sense of the word. Mulder had rambled theories at her—about Dr. Scanlon and MUFON and government agendas—until her lack of engagement made the conversation eventually dissolve, first into him nervously chattering about the most ridiculous X-Files cases he could think of and, when that didn't work either, into nothing, a pall falling over them as she shifted restlessly in her seat, unable to find a position that didn't feel ill-fitting like a shirt that she couldn't untwist. They didn't once speak the word cancer.
She hadn't meant to fall asleep after he dropped her off, but ten minutes into some daytime talk show and she was suddenly dead to the world, and judging by the low light that surrounds her, she has slept all the way from early afternoon well into dusk. The TV still flickers at her, now playing the evening news, and she's sure that there aren't going to be any headlines about manufactured brain tumors and shady oncologists who betray their Hippocratic oath by purposefully poisoning women who look to them for salvation. The types of horrors she witnesses rarely make the news. Not with all the facts attached, at least.
She pushes herself up with a groan. Her head really hurts, and although her first instinct is to attribute it to the mass in her sinus cavity, when she reaches up to swipe under her nose there are no remnants of dried blood, and the dryness of her tongue and hollowness of her belly makes her think that the rhythmic throbbing in her skull is probably because she can't remember the last time she had a glass of water or a single bite of food.
She goes about the motions of getting together what she supposes is technically dinner, even though she forgot to proceed it with breakfast or lunch, and when she gets it all together—a hearty meal of half a banana, a slice of buttered toast, three ibuprofen, and a tall glass of ice water—she settles back down on the couch and assesses the other ache she'd awoken with.
The nightmare is formless in her memory, lacking a cohesive plotline now that she's in the waking world, but nevertheless, the emotions it stirred up inside her are visceral. There is a hollow feeling in the pit of her stomach, bottomless as the abyss. It's a type of fear that grips her from the inside, putting her adrenal gland into a chokehold and activating her fight or flight, except she can't fight her own mind anymore than she can flee it.
This is how she knows, even without the details, that her dream was about dying.
These types of dreams have been coming to her more frequently nowadays, starting the night Leonard Betts spoke five chilling words to her in the back of an ambulance. She's had friends who have been pregnant, and they would often tell her about the constant dreams they would have on the subject throughout the entire nine months. In a way, she figures, it's a similar concept; she and her friends all have had dreams about what their body is growing inside them—the notable difference of course being that they grew something into life, and she's growing something that takes it away.
Tomorrow she is going to have to start making phone calls. Make appointments and discuss treatment options and try not to get discouraged when the options are limited. When she first told Mulder about the cancer, he had been so insistent, saying, "There must be some people who receive treatment for this," and at the time she hadn't been able to bring herself to tell him that she wasn't sure she was going to be one of them. The odds were, and are, so heavily stacked against her, and as a medical doctor she is very aware that sometimes quality of life outweighs the quantity of it. Her experience in Allentown hasn't really endeared her toward the idea either, if she's being honest, and not because of Scanlon, or even because of Penny, but because she had not felt sick at all, up until she tried to treat the illness, and then suddenly she'd been in hell.
But while she may be uncomfortable with how much of herself she bared to him last night, she knows that she made promises that she can't take back. She is loyal to a fault, and she gave both him and herself her word that she would continue to live as long as she could, and so she will.
She's just not convinced much of her life in the upcoming days and weeks and months and maybe even years will feel much like living. In fact, she's pretty worried—down to the very depths of her subconscious, if her dreams are any indication—that she's going to feel like she's dying.
They say doctors make the worst patients. Sometimes that's because of stubbornness. Sometimes it's because they know exactly what to expect.
She finishes her meager meal and drinks down the last of her water. She slips an ice cube into her mouth and bites down on it, shattering it into pieces. The enamel of her teeth has always been sensitive to temperature, but instead of being off-put by the pain that spikes through to her jawbone when the ice touches her nerves, she revels in it. Her head, while somewhat improved, is still aching, and she finds herself appreciating that as well. She finds she is grateful for the signs her body is giving her to tell her it's still here, and maybe that's the trick. Maybe to get through this she has to go into it with a respect for the pain. This only hurts because I am alive, she'll have to train herself to think.
She can do that. She's certainly stubborn enough.
She wishes it didn't all have to be about pain, though. She doesn't want to forget that a body can feel good things too.
Ice crunches between her teeth, shocking her like a root canal, while she thinks about the signs of life that are enjoyable. Warmth. Comfort. Pleasure.
Pleasure.
On the TV, the news anchors are tying up their reports that are lacking things they don't even realize are missing. In her mouth her internal temperature warms the ice water, and the ebbing of the pain is a brief moment of gratification that acts as a sampling of what endorphins can do.
Tomorrow she is going to have to make plans to put herself in a varying, yet indefinite state of pain, and she will have to learn to appreciate it in order to remember how to be alive.
Tonight, however, she could remind herself in a different way.
It is a terrible idea.
It's an idea she has had a million times before and has stamped down just as often.
Ten minutes later and she's out her front door and getting into the driver's side of her car. Muscle memory guides her down the streets toward Alexandria, while she spends the whole drive telling herself to turn back.
She doesn't.
*
"Hey," Mulder says in surprise, eye widening slightly at the sight of her standing at his door. He's got on a white tank top and dark grey sweatpants, looking nothing like the federal agent he usually does. Instead of seeing a professional, albeit a tad bit crazy, government official, she sees her friend in the way that is much easier to ignore when he's wearing a suit and an ugly patterned tie. Like this, he exudes masculine energy, and her eyes are immediately drawn to the slopes and curves of his muscular shoulders and biceps. There is hair peeking out on his chest where the neckline of his shirt dips low. He hasn't shaved for at least a day, an even stubble shadowing his cheeks and jaw. She drops her gaze to the floor before he can catch her roaming eyes, and she sees his feet are bare. For some reason that's the most intimate part of it all, and the reality of what she's come here to do hits her like a freight train and she flushes with what must be a particularly spectacular shade of red.
In contrast, she's feeling a lot like she did this morning, like a soldier out of uniform. She's wearing the same pair of yoga pants, and under her coat she has on a faded souvenir t-shirt her parents gave her after an anniversary trip to the Outer Banks well over five years ago. It occurs to her only now that she'd left in such a rush that she hadn't even bothered with a bra, and she becomes instantly aware of the oversized shirt brushing directly against her breasts.
At least she wore boots with a heel this time, but in reality it's not doing much to level the playing field. Mulder's six-foot frame still dwarfs her completely, and while she normally feels like a peer in his presence—like a respected intellectual whose gender is totally irrelevant—tonight she is feeling a lot like she did the first time she entered a university science lecture and found herself surrounded almost entirely by men. The difference is that back then she had felt, ridiculously, embarrassed by her femininity, hyper-aware of every questioning stare, asking the same question: What is she doing here?
But like with most things, Mulder—simply by virtue of being Mulder—challenges her way of thinking. While she has long since stopped viewing her womanhood as a flaw, she is always viscerally aware when the people around her view it as one, and over time that has bred resentment. Standing here before him, though, she holds no animosity toward the difference in their sexes. Like the way her science complements his reckless belief, so too, in this moment, does her feminine ying balance his masculine yang.
She doesn't even worry about the freckles on her makeupless face.
"Scully?" He sounds concerned, and she realizes she's been standing here in silence after appearing at his apartment unannounced, and the last time they saw each other it had ended with her muttering a curt goodbye as she all but bolted from his car to escape the suffocation of her own self-imposed belief that emotional vulnerability was akin to disgrace.
But what Mulder isn't privy to yet is that the shame from this morning about being so transparent has been wholly replaced by the need of a dying woman to be reminded of the good parts of being alive. Scully is ready to be bare, by every definition, and she can only hope that he'll let her.
Refusing to give in to cowardice, she forces herself to look up from the floor to meet his eye.
"Can I come in?" she asks.
"Yeah, of course." He angles himself to place a hand on the small of her back, ushering her inside, and even through her coat and shirt the contact burns like the ice touching her enamel. She kicks off her boots, sinking back down to her natural five foot two—three, if the height gauge at the doctor's office chooses to be generous—and lets him take her coat and hang it up, before leading them both over to the couch. He plops down, leaving a purposeful vacancy beside him, and looks up at her expectantly, but she doesn't sit. Cocking his head, he asks, "Are you all right? Why are you here? If you needed something you know you could have called me and I would have come to you. I know you only went through one day of treatment, but I'm sure it had to have taken a toll on your—"
"I'm fine," she insists, cutting him off. She doesn't say it harshly, but she doesn't leave room for him to argue against it either, even though she can tell he desperately wants to. Instead, he chooses to heed her command, and presses his lips closed, waiting for her to tell him why she's standing here when earlier today they drove over three hours and she had barely said a word the entire time.
It's possible she didn't think this far ahead. More than that—it's possible she hasn't thought this through at all.
But she's committed now, and she's starting to feel feral, her needs centered around primitive instincts. It is in every species' nature to fight for survival at any cost, but she is burdened with a human's intellect that can allow her to deny herself continued survival if doing so also means prolonged suffering. If she is to keep her promise—if she is to fight for her life with treatments that make her feel sicker than the disease they're targeting—then she has to go into it with a memory that reminds her why it's worth it to stay alive.
She walks over to his desk and leans against it, mindlessly thumbing through documents strewn carelessly across the top. There are pieces from casefiles, and pages photocopied from obscure books on phenomena she'd never believe. There are scratch pieces of paper with notes scribbled on them, written in a shorthand that she's sure only makes sense to him. There are newspaper clippings and articles torn from tabloid magazines he would call source material, and she would call a scam. She doesn't read any of it, but she keeps her eyes trained on them as she considers her next steps.
Gaze pinned on a faded picture of some kind of creature that has clearly come off a printer that was running low on ink, she finally says, "I want to ask you for a favor, but I should warn you that it's a bit unorthodox."
"Unorthodox, huh? I dunno, Scully, I'm a pretty conventional guy, I'm not sure I can handle anything out of the ordinary."
A smile tugs at the corner of her lips. How does he do that? she wonders. How does he know how to calm her when he doesn't even know that she's feeling frantic in the first place?
That you should know my heart, look into it, finding there the memory and experience that belong to you. That are you.
Those were words she had written only days before, placed inside a journal that was meant to be a confessional, but again, she should have known better. What use is there in inviting someone into your heart when they're already there?
She stops fiddling with the contents of his desk and looks over at him. He's regarding her with an expression of concern that on a different day she would construe as pity and detest, but right now she has the capacity to accept that he's looking at her like that, not because she's weak, but because he cares. Because he's worried. Because he wants her to live.
"Last night, when you said you read some of what I wrote... how much did you read exactly?"
Mulder rubs the nape of his neck and shrugs.
"A bit," he says, which she takes to mean "all of it." She can picture him, after confirming she was safe, sneaking into her hospital room and sitting on her bed, skimming each page, and then going back through a second time to take it in more fully. It should feel like an invasion of privacy, but instead her impulse is to huff a small laugh. She tries so hard to hide from him, and yet he finds her every time.
"So you know about the treatment. What it feels like." He nods slowly, like he's trying to piece together what she's getting at and hasn't quite formed a cohesive picture yet. She sighs.
"Tomorrow I'm going to set up a meeting with Skinner and take him up on his offer in getting into contact with an oncologist. We can still pursue the case—that is, if any new evidence presents itself to give us any new leads—but in the meantime, I need to figure out what treatment options are available to me. Time is of the essence in these sorts of situations."
Mulder nods again, still waiting for the clarifying piece of the puzzle.
"Mulder, without talking it over with a specialist, I can't know for certain what treatment route they're going to have me take, but with my medical background I can make an educated enough guess to safely say that, whatever it is, it's not going to be pleasant."
"Any help you need, Scully, you know I'm just a phone call away. And don't worry about work. If you have to take leave that's fine. What matters most is that you get yourself health—"
"I know. I know that, but that's not what I came here to talk to you about."
"... Okay." He gives a small shake of his head. "What then? What's the favor?"
Scully draws her lower lip between her teeth.
"I need your help," she says slowly, "in reminding myself that my body can do more than feel pain. That it's more than just a vessel to get me from one place to another... I need you to help me remember why it's worth saving."
"I don't..." he starts, but his sentence trails off as she makes her approach over to him with a purposeful gait. She goes to stand between his legs and he opens them wider to give her space like the action is automatic. He tilts his head back to look dumbly up at her, and the change in dynamic—her above and him below—makes her feel some type of way low in her belly.
She reaches out and cups his face, tracing the line of his cheekbone with her thumb, and she sees his Adam's apple bob as he swallows. She thinks the picture may be becoming clear to him now.
"Scully—"
"You can tell me to leave," she cuts him off. "You can say no and I won't hold it against you. We don't ever have to talk about it again. But if you're willing..."
Mulder gives a breathy, disbelieving laugh.
"Scully, trust me, it's not a matter of whether or not I'm willing, but look at what all you've been through in the past couple days. I don't think you're thinking rationally, and I don't want to take advantage—"
"Not thinking rationally? Me?" She smiles a little as she pulls her hand back, making a point to drag her fingers slowly across his skin on the way, and she doesn't think she imagines him leaning into her touch. "Mulder, I appreciate your concern, but why don't you let me decide what I do and don't want to do."
"Scully..."
"Do you trust me?"
He lets out a frustrated sigh.
"Of course I do."
She takes hold of both of his wrists, and when she tugs his arms out to settle his hands on her hips she's met with slight resistance, but she knows it's just for show. She's not weak, but he's got plenty of strength to get away from her if he really wanted to. Instead, the pads of his fingers press into her pelvic bone, even after she's dropped her hold on his wrists.
"Then trust me when I say this is what I need from you," she says. She smirks and adds, "I told you it was unorthodox."
"You weren't kidding," he mutters, and fuck, his eyes are boring into hers so intensely she nearly shudders.
Sweatpants are not exactly ideal when it comes to maintaining modesty in sensitive situations, and Scully's effect on him does not go unnoticed. Her eyes dart down to the significant bulge between his thighs, and then back up to his face where he gives a bashful half-grin accompanied with a one-shouldered shrug, as if to say "can you blame me?"
"I won't hold it against you," she tells him again, "but I do want this."
"Fuck," Mulder breathes. He shuts his eyes for a beat, like he's trying to compose himself, and then blinks them back open, embers of an impending fire starting to glow behind his dilating pupils. "This is a bad idea," he tells her, stating it more like a fact than as a deterrent.
"Maybe," she agrees.
"We have to work together tomorrow. And the day after that. And after that one, too. You don't think this will... change things?"
"Not if we don't let it."
"You really think it's that simple?"
She considers the question. Considers whether or not she can learn what it's like to have him explore her body tonight, and then pretend like she didn't come morning.
"We're two consenting adults," she says, evading the question. "Has the thought of doing this really never crossed your mind?"
"That... That feels like a leading question."
"Would it make you feel better if I said that it has definitely crossed mine?"
"Jesus, Scully," he breathes, shifting in his seat and clutching her hips so tight that she won't be surprised if later she finds finger-shaped bruises on her skin, reminiscent of dusted prints at a crime scene.
"It's just sex, Mulder," but even as she says it, she knows it's a lie.
He knows it too, judging by the muscle twitching in his clenched jaw as he holds her eyes with a steady look.
"Is it?" he asks evenly, and they both know the answer is no.
No. Of course not. Sex could never be "just" anything between them, but the reason why is a topic they've come to an unspoken agreement to never acknowledge aloud. But Scully isn't stupid. She knows that the way electricity behaves between them—constantly thrumming and sparking, in tense situations as well as banal—isn't normal. Four years ago she dropped her robe in front of him in a candle lit hotel room, and she hasn't stopped feeling his gaze on her lower back since; the tender way his eyes roved over her delusive mosquito bites is as permanent a tattoo as the blood red ouroboros that has only recently lost its scabs.
The term "something more" is a vague and fanciful concept she would sooner dismiss as nothing but a perpetuation of commercialized romance, if she herself wasn't subjected to it on a near daily basis. Since day number one there has been an elusive "something more" surrounding them, fighting for their attention, even as they so ardently deny its existence.
So no, it isn't just sex, but Scully also didn't come here to give voice to the elephant that follows them from room to room. To put it plainly, she came here so he could fuck the will to live back into her body, and she refuses to lose sight of her mission.
So in lieu of a response—because she can't animate any elephants, but neither can she lie to a man who treats truth like the core tenet to his religion—she instead throws caution to the wind, swoops in, and kisses him.
Ice touches enamel. She wants it to burn.
Whatever reservations or protests he may have been fighting against must not be too hard to cast aside, because his response to her is instant, tilting his head to slot their lips together and kissing back so forcefully their teeth clack together. But even that doesn't, or maybe can't slow them down.
Mulder's hands move from her hips to her ass, and in a single swift movement he lifts her onto his lap. He swallows her surprised gasp as she straddles his thighs, his hard cock brushing her center, the layers of their clothing teasing her relentlessly when right now she needs skin-on-skin more than she needs air.
Mulder seems to be of the same mind, because one second she's sitting astride him fully clothed, and in the next he has somehow stripped her of her shirt, tossing it carelessly onto the floor. Returning the favor, she peels his off too, feeling like a kid at Christmas unwrapping the box she knows contains the best present under the tree.
Scully tries to recapture his lips, but he stills her with a gentle hand on her shoulder. He then leans back to get a good, long look at her.
"God, Scully," he whispers reverently, eyes trained on her chest. He reaches out to touch her, and when he does her breasts fit perfectly in his hands. Tentatively, and with such profound focus you'd think he was attempting to split an atom, he pinches her left nipple and rolls it experimentally between his index finger and thumb. It's such a simple touch, but it goes straight to her leaking cunt, and when she moans Mulder's attention darts back up to her face, the embers behind his eyes now a full-fledged forest fire, blazing a warpath through the trees. He makes it a point not to break her gaze when he leans in and takes the same nipple into his mouth.
"Mmm," she hums, letting her head loll back. He sucks the nub of her nipple taut, and involuntarily she bucks her hips in response.
Mulder mumbles something incoherent against her breast, and when she asks for clarification, he pulls away with an obscene pop and then nuzzles his face in the crook of her neck, saying, "You're everything."
Everything. Like he ran through the full gamut of adjectives and found himself wanting. Like she is so many things at once that there isn't a single word that encompasses the breadth of her worth to him.
You're everything.
It's the most overwhelming compliment she has ever received, because she wants, more than anything, to live up to it, and yet she's not even sure if she is going to be able to simply live, period. She's not sure when her greatest fear became failing him. It might have been the first time he ever challenged her. When she stood in front of his projector, veiled by the illuminated slides he'd already prepared for her arrival, as he quizzed her on chemistry, and causes of death, and the supposed limits of science in a vast and complex universe. She had wanted to prove herself to him then, and then just never stopped.
The truth of his influence over her is too much to handle right now, so she decides to kiss him again—an act that is quickly becoming her new favorite strategy for deflection—and then buries her fingers in his hair. She oscillates her hips in slow circles, taunting them both with light but consistent pressure on his cock. She feels him twitch in anticipation for her, and her pulse throbs in her cunt in turn.
"I want you," she whispers against his lips, but he shakes his head.
"No," he murmurs. "No, not yet."
Before she can ask him for clarification, he's lifting her up with a firm grip on the backs of her thighs, and then proceeds to lay her down lengthwise on the couch.
There's a manic energy wafting off of him in waves, and yet, in total contrast, the way he slides her leggings and panties down and off her legs is so purposeful and leisurely that she has the absurd thought that nobody has ever undressed her with such respect before.
When he kisses her soundly on the mouth and then begins making a trek down her body with his lips and tongue and an occasional nip of his teeth, she feels—for the first time since she stepped foot inside his apartment with this ludacris idea—a pang of apprehension.
For the most part, she isn't a self-conscious person. Once she got past the awkwardness of adolescence, she's had a fairly healthy relationship with her self-image. But that said, Mulder's intended destination is obvious, and she's had enough sexual partners turn their nose up at the suggestion that for a moment she worries he's only doing it because he thinks she expects it of him.
But then he settles himself in between her thighs and peers up at her with a hunger better fit for a man so far into starvation he's about to succumb to it, and she realizes then that while he may be able to read all the words on her every page, it is not a one-sided transparency. If ever there were to be a scholar on the topic of Fox William Mulder, she would be the one.
The apprehension, already fleeting in the first place, dissipates entirely, and she lets her legs fall open in invitation.
There is no hesitancy in his acceptance. He uses two fingers to part her labia, and then starts off by dragging the flat of his tongue from her soaking entrance up to her swollen clit in one long stroke, and that alone has her crying out, unconcerned about how she sounds or how thin the walls might be.
Never a man to miss important details, it's unsurprising the speed at which he masters the intricacies of her body. She knows he's paying attention to every miniscule shift in her body language by the way he adjusts the pressure and speed and direction of his mouth and tongue. When he slips one finger inside her, quickly following it up with a second, and pulses a come hither motion as he sucks on her aching clit she wants to sob. He eats cunt with the devotion of a holy man, and he makes her feel deserving of being worshipped.
This is why it's worth it to live. Because for every twinge and ache and pain her body is capable of, it is equally capable of so much good feeling that it could constitute a religious experience. That while there are always going to be moments of suffering, there are also going to be moments of pleasure, and to truly live you have to accept the full spectrum of what it means to possess a human body.
When the coiling heat in her cunt finally boils over, and she arches her back and cries out Mulder's name while a rapturous climax works through her, suspending time and space, she thinks to herself, over and over like a mantra—like a promise: This is what I'm fighting for. This is what I'm fighting for. This. Is what. I am fighting for.
When she comes back to herself enough to spring into action, she is barely conscious of her own movements, acting more on primal instinct as she yanks Mulder up and kisses him sloppily, licking into his mouth and tasting herself on his tongue as she manages to flip them so that he's lying on his back, panting up at her with blown pupils and parted lips.
She gets his sweatpants and boxers pulled down past his knees, and he kicks them the rest of the way off. He curses when she takes hold of him and guides him to her entrance, unable to wait to be filled by him any longer.
He's so big, and even with the slickness from her orgasm she has to take him in slowly, letting her cunt adjust to the stretch of him.
"There's so much of you," she groans, rocking her hips, slipping him in further inch by inch. He's holding onto her hips again, gripping her like she's a life preserver as he clenches his jaw, clearly trying his utmost not to thrust into her before she's ready for it.
"You feel... Jesus, Scully, there aren't words to describe how you feel," he says, strained between gritted teeth, and she's so thankful for him. For his patience. For his attention. For the "something more" between them that she doesn't dare give a name to, even in the privacy of her own mind.
When she finally takes him to the hilt, it feels like an accomplishment. Skewered between her legs on his massive cock, she has the same sense of satisfaction she gets when she pins him into a corner during a debate. Already he has infiltrated almost every aspect of her life, and now he's inside her body as well, and she understands what he meant before, because it's everything. He's everything.
She tells him so, and that's more than he can handle. After the words spill from her lips, he thrusts up into her, making her shout, but on the next thrust she meets him in a counter-rhythm, driving him impossibly deeper inside her. The apartment is full of the sounds and smells of sex as she begins to ride him in earnest. She plays with her own tits, and he watches her, rapt with attention, and when his breathing starts to hollow, he puts a hand between her legs and lets her rub her clit against him.
"Yes," she moans, riding him harder, shocked that he has her teetering on the edge again so soon. "God, yes. Mulder, I—I'm going to—"
She completes her sentence nonverbally, falling over the edge once more, and this time Mulder follows her. He's chanting nonsense syllables that are probably supposed to be her name, as she clenches around him and milks his cock dry, letting him fill her fully and completely. She wants to feel his spend leaking out of her later. She wants to feel bruised when she walks. She wants to remember every last second of tonight—even if they never speak of it again—because she is going to need the memories in order to face what's waiting for her come tomorrow.
When they've both returned to Earth, they stay joined together in silence for just a little longer, searching each other's faces, possibly for signs of regret, or maybe just for the sake of looking. He pushes a strand of her hair behind her ear and she lets her eyes flutter shut, leaning into the touch. Between her legs he's starting to soften. Her unorthodox favor has been fulfilled, and reality is hurtling back to them at speed.
"Thank you," she says, not opening her eyes.
He doesn't respond for a few beats, and then he says, "It's worth it, Scully. Remember it's worth it."
She nods.
It's so easy, she thinks, to be aware of her own mortality. To remember that she will die.
She vows now that, in the face of every upcoming obstacle, she will remind herself, often, that she can also live.