coppersunlight
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- The X-Files (10)
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Summary
He will soon come to find that the previous night's events, and all those still to follow, are neither remnants of a dream nor figments of imagination. For the year is 1959 and two buses sit idling next to each other in the depot, identical in every respect but one. A young man by the rather unfortunate name of Fox Mulder, age thirty-one, is due to set off on one of these buses for a trip of indeterminate duration and destination, intending to use his burgeoning skill as a writer to bring life to forgotten stories, to glean inspiration for the tales he’s been called upon to spin. What he does not yet know is that he will continue to bear witness to these peculiar and surreal happenings as they seem to follow him, a direct result of his choice not to board the initial bus that night. A mistake in the re-booking of his ticket at his outset means that he will not board the 10:00 bus to Washington as he’d intended. Rather, Fox Mulder will unknowingly find himself presenting his ticket and boarding the second bus, one that is bound for a drastically different terminus, and that requires a passage through the mystifying space and time known only as…The Twilight Zone.
Series
- Part 1 of The Twilight Files
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Summary
Moments on the run as told by changes in hair.
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Summary
She swallows hard, glassy eyed and deeply, impossibly sad.
Frohike’s look of exasperation morphs into one of anger. “He’s being a dick, Scully. Have you told him that?”
She surprises even herself with the bark of laughter that escapes her. “I don’t think he’d take kindly to that. Especially not now.”
“Scully, I- I don’t understand…I don’t get it.”
She lets out a rueful little laugh, voice thick as she whispers, “Me either.”
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A canon divergent take on the Gunmen's involvement in the Diana-arc, in which they're leading the charge for Team Trust-No-One and revealing a lot more about that whole "collecting data on female abductees" piece that somehow got brushed under the rug.
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The evening following the OPR hearing and subsequent conversation on the National Mall, Scully struggles to fall asleep, plagued by the emotional turmoil she hasn't yet had a chance to process. Despite Mulder's role in many of her anxieties surrounding the whole ordeal, she finds that he is still her best source of comfort.
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A series of conversations in which a young Dana Scully insists she will never allow herself to get involved with another coworker and refuses to be impressed by Fox Mulder—even if he is charming, and brilliant, and handsome, and-
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