Skylllar
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Six months have passed in Night City, and Lexa and Rita’s apartment looks almost the same, same walls, same plants by the window, the same half-finished clay pieces on the table, yet everything inside it feels changed.
Lexa is still here. Rita is still here. Vee is still here, keeping her promise, day after day, beside Ivy. And the Lizzie’s is still standing, louder on the outside than it ever is in the hearts of the people who call it home.
This second part opens in the aftermath: not with explosions, but with what comes after silence, guilt, exhaustion, and the kind of love that doesn’t disappear, even when it’s bruised and hard to reach. Lexa is trying to stay upright when her mind keeps dragging her back, and Rita is trying to hold them together without breaking herself in the process. Around them, Vee, Judy, V, and the Moxes remain a tight, scarred circle because in this city, surviving is one thing, but staying connected is the real fight.
If you read Part One, you’ll recognize the bond immediately: the way they protect each other, the way they lie to themselves, the way they keep showing up anyway. This isn’t a reset, it’s the continuation.
Series
- Part 2 of Our Slow Symphony at Lizzie’s
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Night City teaches you how to survive alone.
Rita Wheeler has learned that lesson well. As the Moxes’ bouncer and the constant presence at Lizzie’s door, she is strength, routine, and reassurance incarnate. She stays. She holds the line. She endures even when the armor starts to weigh heavier than the chrome.
Lexa didn’t stay.
She left Night City without a word, convinced that distance would mean freedom. Years later, she comes back carrying scars she never meant to earn, and a truth she never learned how to say out loud.
When their paths cross again, old wounds resurface. Anger, guilt, unspoken affection, and the kind of bond that was never broken, only abandoned.
This story explores what it means to leave, what it costs to stay, and how some connections survive even when everything else falls apart. It’s a slow, intimate reconstruction between two women shaped by violence, loyalty, and the quiet hope that not everything broken is beyond repair.
Series
- Part 1 of Our Slow Symphony at Lizzie’s
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In the suffocating alleys of Night City, where neon hides blood and dust, V walks between two worlds: the chrome that keeps her alive, and the ghosts that haunt her.
A former nomad scarred by the loss of Sierra, her first love, V survives only through her weapon, her Sandevistan, and a cold rage. Until the day she meets Judy Alvarez, a braindance technician whose cables and re-woven memories strike an unexpected chord with V’s own scars.Between unbreakable friendships (Jackie and Misty), Viktor’s protective eye, and the violence of gangs threatening this fragile balance, V discovers that her wounds may not only be a burden, but also a path forward.
Torn between the burning memory of Sierra and the fragile promise of a future with Judy, she must learn how to rebuild herself in a city that devours those who dare to hope.
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Panam poses: “You ever think about how things would be different?” A bit of… whimsy? in her voice. “If you had never taken the Konpeki job.”
She ponders for a moment, even if the answer’s fairly obvious. “Prolly be face-down in a gutter right now.” Throws the sardonic edge from her voice for the next part. “Or we’d… still be lost in NC, both.”
Surprised, at how clear her voice stays for the next part. “Jackie wouldn’ta made it either way. Star burned way too bright.” Clutches at the dogtags around her neck. “Johnny wouldn’ta left me with his smoking habit.” Some levity on that one, but they both know the mark he left runs deeper.
“Aldecaldos woulda sold their soul to Biotechnica or some other corp.” Doesn’t miss the way Panam tenses momentarily.
Some other people worth mentioning too. Judy, Kerry. But she's never talked with Panam much about them.
And of course…
She looks back up to the moon.
“Couldn’t imagine things goin’ any other way.”
OR:
V's beaten her death sentence. So Mi struggles to live with her actions. Panam has a family to lead and a best friend to watch out for. Surely nothing can throw a wrench into the new lives they've built.Bookmarked by Skylllar
10 Apr 2026
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Lydia is a young woman who has been working for several months as a waitress in the Sons of Anarchy bar, located in the clubhouse. She is lively, funny and sweet. She is perfectly happy with her life : her colleagues have become her friends, her job has allowed her to buy a nice house and she enjoys a comfortable routine. Everyone likes her and she likes everyone.
But when one of the club members smiles, she appreciates it a little too much.
The problem ? His smiles are not meant for her.
And he is also twenty years older than her.
Lydia knows she should continue to admire him from afar...
But life is too short, and Lydia does not want to live it with regrets.
Perhaps she would have been better off.
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Judy Álvarez has left Night City after being rejected at Laguna Bend. During her stay with her grandparents she decides to call V to try to find out why.
Bookmarked by Skylllar
03 Mar 2026
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Continuation of 'The Tower' ending
In the neon-lit sprawl of Night City, V was an unstoppable force, a merc whose cyber-enhanced abilities made her one of the most fearsome individuals with the highest street cred.
Stripped of her chrome after a life-saving surgery, she finds she has to navigate a tumultuous new reality. But when shadows from her past reemerge, offering both threats and opportunities, V faces a harrowing choice that will define her destiny... and the fate of the world.
Can she save the quiet life she fought so hard to achieve? Does she even want it?
Does she deserve it?
Bookmarked by Skylllar
03 Mar 2026
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After everything they survived, Valerie and Judy chose something radical:
A quiet life.Settled in Klamath Falls, far from corporate towers and relic ghosts, the Alvarez family begins the work that comes after survival — building a home that lasts. In a cedar lakehouse surrounded by pine trees and open sky, Valerie and Judy navigate the joys and uncertainties of motherhood, learning what it means to raise a daughter when neither of them had that stability growing up.
Sera Alvarez is no longer just surviving Night City’s aftermath. She’s discovering friendship, school, first crushes, art, and the slow realization that safety doesn’t have to be temporary. As she grows into her teenage years, she begins to understand that belonging is something you can choose — and be chosen back.
Together, the Alvarez family learns that healing isn’t loud. It’s found in shared breakfasts, late-night talks, homework at the kitchen counter, lake swims in the summer, and the steady rhythm of everyday life.
This series explores love after fire.
Motherhood after loss.
And the quiet defiance of building something soft in a world that was never designed for it.
Series
- Part 2 of Hope After The Fire
Bookmarked by Skylllar
26 Feb 2026