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Published:
2026-02-14
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2,306
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1/1
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Notes:

This is a story that takes place after the game ending "A New Friend". To prevent confusion, different fonts are used to represent the words of different characters.

The narrator—Regular text

The choices or actions you make—→Italicized text

——happyeveryday from Discord

(See the end of the work for more notes.)

Work Text:

Welcome back! You're a bit late.

Not that I'm complaining, of course! It's just that our story has been paused for so long, I started to worry you might have forgotten about me.

▶ I didn't forget you.

I'm glad to know you haven't forgotten your dear narrator! It makes me so happy to belong to you.

Now, let's get back to our story. After being away for so long, do you still remember where we left off? Need me to give you a quick recap?

Yes, please recap
▶ No, I remember.

Great! ...An unfinished story can't be all that exciting, can it?

So, how about we continue with our story now?

▶ Continue.

· · · · ·

Good evening! I hope you're doing well... or should I say, good middle of the night? The night is so dark, it's hard to tell whether it's evening or the dead of night anyway.

A good day should start with a morning waking up to sunlight — clearly, something's gone wrong here.

But don't worry, life is long, and it's impossible to have everything perfectly under control. When problems come, there's no need to panic or be afraid.

Just take it one step at a time, and nothing is truly insurmountable. All you have to do is firmly believe that.

By the way...

Once again, you hear the sound of the TV coming from the living room. Huh, strange — this has happened more than a few times now.

In the silence of the night, the noise from the television is especially jarring. For someone living alone, a TV that turns on by itself in the middle of the night would definitely be terrifying — but you're not scared at all.

After all, technically speaking... you're not exactly living alone.

▶ Go check it out.

Just as you're about to get up — you see a familiar, twisted shadow moving toward you. It approaches your bedside with practiced ease and stares right at you.

You're awake...

It watches you as it speaks, and you can sense a hint of nervousness in its voice.

Um... did you sleep well?

▶ Was that you watching TV?

Sorry... I thought I kept the volume low enough... I won't do it again...

Its head awkwardly retreats into its body, as if embarrassed by the conversation.

You notice the TV has gone silent — it must have turned it off before coming over.

▶ I'm not blaming you.

Really?

Part of its head, along with one eye, cautiously emerges from its twisted form, as if studying your reaction. Even though only one eye peeks out at you, it still glows like a light bulb in the dark.

▶ I was just wondering why you're still up watching TV. The new episode shouldn't be out yet, right?

I... was rewatching the episodes we watched together today.

I... didn't quite understand some parts... I kept hesitating and worrying — I wasn't sure if I should let you know how confused I was.

I thought maybe if I watched a few more times, I'd get it.

I tried to keep the volume down, but watching for so long made my eyes uncomfortable.

If I covered my eyes, I couldn't tell what was happening on screen, so I turned the volume up a bit...

Did it disturb you?

▶ Let's go over the parts you didn't understand together.

The creature's face twisted wildly — now you could recognize that as its way of showing happiness.

You walked with it to the living room, and there was your TV — that trusty companion that had brought you joy through countless tired nights.

You watched as it expertly folded itself, squeezing into the small gap behind the sofa, leaving only a pair of eyes peeking out at you, as if waiting expectantly.

Good news: the creature wasn't sitting directly on your sofa.

▶ Are you okay staying back there?

I'm not that fragile...

It sounded a little hurt.

You settled into your cozy sofa, sinking into its almost engulfing softness.

Turning your head, you saw the creature staring intently at the sofa from behind it, as if trying to burn a hole through it with its gaze.

▶ Why are you staying over there?

It looked at you, seemingly surprised by your question.

...Or else you wouldn't have a place to sit.

▶ Why don't you join me on the couch?

It didn't reply — just stared at you, eyes narrowing slightly, as if trying to figure out whether you were mocking it.

▶ I mean, you could come a little closer. You don't have to hide your whole body behind the sofa.

Its eyes widened. It stared at you for a long moment.

▶ If only part of you is on the sofa, it won't collapse.

...

Thank you.

Following your guidance, its front half slowly moved toward you. Its two slender arms eventually wrapped around your waist like seatbelts — too long and thin, they coiled around you, and you could feel their weight resting on your lap.

Whenever it came across a scene it didn't understand, the "seatbelt" around your waist would gently gesture toward it.

Its head rested lightly on your shoulder, partially hidden behind your hair and head — visible yet not quite. You could hear its voice softly by your ear, and whenever the screen suddenly grew too bright, it would instinctively retreat behind you.

· · · · ·

The greatest thing about television is that it brings the world into your living room.

Words require you to actively construct images — you have to summon your imagination, your experiences, your understanding — to turn each sentence into a scene inside your mind. Television simply skips that step entirely.

That sense of "being there" is something words can never replace. You don't need to know how to read, you don't need to understand the language, you don't even need an imagination.

Just keep your eyes open, and everything unfolds right in front of you. If this moment were visuals instead of text, your dear narrator here wouldn't even have to explain a thing — it'd be a much easier job.

▶ But what if there are no visuals, and it has to be told through words, and you're not here?

Nonsense! Your dear narrator will always be by your side — unless you're the one who decides to leave me behind.

▶ ...

...You wouldn't abandon me, would you? I mean, I've always been a diligent narrator, haven't I? Even now, in the form of words, I'm still more than happy to guide you through it all — to be your narrator.

▶ Yes.

It seems like that creature has something it wants to tell you. You should go see what it has to say.

· · · · ·

I can feel the warmth of emotions... but when I watch TV, sometimes... I can't feel theirs. Or at least... not clearly. And that confuses me.

Every moment you've lived, every feeling, every movement — I can sense them all, through my body. They feel similar, yet each one is different.

But what's on the screen is different. When the camera zooms in, it feels like I'm close to them. But when the TV turns off... it's like none of it was ever real.

▶ Is it because the people on TV aren't real?
▶ Is it because their emotions are just acting?
▶ Is it because the way their feelings change confuses you?

Whichever question you meant to ask, it didn't answer. Maybe it didn't know the answer itself.

As a scene played out, you noticed its hand leave your waist, pointing at a character on screen.

Why crying?

I've seen you do this sometimes. Why?

You could feel the weight on your shoulder shift slightly toward you, and hear its breathing — falling into the same rhythm as yours.

▶ To clean myself. Just like you do.

It tilted its head, not quite understanding — a gesture that reminded you of a small, curious animal.

▶ Sometimes, the body holds onto feelings that weigh it down. And then they fall — as tears, sliding down the surface of the skin.

Sometimes, a good cry helps release pressure and lightens your heart.

Crying solves nothing, yet those who weep do not always cry for answers —

they cry to let go.

But I feel like you...

▶ Cry often
▶ I don't cry much

▶ Maybe I've cleaned too much and made myself more fragile. Or maybe I just have too much that needs cleaning.

Are you sure about this choice?

▶ Not sure
▶ Sure

▶ Cry often
▶ I don't cry much

▶ It's been so long since I last cleaned that my cleaning tool broke — it won't work properly anymore. And honestly, I've forgotten how to clean.

Are you sure about this choice?

▶ Not sure
▶ Sure

No matter which of your stories the creature finally believed, you felt the "seatbelt" around your waist tighten slightly. It stared at you for a long time without saying a word, then turned back to watch the scene on the television.

So... is that why they're crying too?

You gaze at the weeping figures on the screen, then turn your head slightly —

Oh. You never noticed when it had turned back toward you, nor did you expect it was still watching. Your eyes meet.

It is waiting for your answer.

▶ No. Their tears have to be understood within the story.

You look back at the grieving characters on television. They've just lost love, crying so bitterly, so deeply, so utterly heartbroken that they cannot stop their throats from tightening or their words from breaking.

In the end, tears open a passage from the depths of the mind to the world outside. They let us catch a glimpse of what cannot be put into words — vague, unspoken feelings and thoughts pouring forth as tears.

▶ They cry to express all that has been left unsaid — maybe words that were never spoken, often brief, not long speeches, but left unuttered for one reason or another.

Like what?

▶ Like "I love you," "You've always been my pride," "I forgive you," or "I never regretted meeting you."

I LOVE YOU.

From the corner of your eye, you can feel the creature's gaze. It says nothing. Or perhaps it spoke, but you did not quite catch it.

Only you.

A deathly silence fell again. You could feel your joints beginning to ache, as if rusting from lack of movement — almost complaining. Maybe you should move a little.

▶ You try to shift your body slightly.

You find your movements completely trapped in its "embrace." Strange — you don't remember it holding you this tightly before. When did it get so firm?

▶ You try to squirm a little harder.

Still completely immovable.

▶ You try asking it verbally.

You gently suggest to the creature that it doesn't need to hold you quite so tightly.

Okay... sorry.

You can feel it loosen — just a little. But only a little. Still not enough to free your limbs. Maybe you should just find an excuse to get off the sofa, away from it, and stretch a bit.

Ah, what's wrong? Are you getting sleepy? When I'm watching TV, I can't tell if you're blinking or not. If you're tired, you can just tell me.

▶ I'll go to my study and get you some paper and a pen. That way, next time you come across something you don't understand, you can write it down and ask me later.

Its face twitched — probably the creature's version of a happy grin.

You grab a flashlight and make your way to your study door.

Are you sure you want to let it in?

▶ What?

I mean... do you even remember where you last put the paper and pen?

Just as you're about to open the door, you freeze. You glance back — it's right there behind you, just a step away, one hand slightly shielding its eyes from the sudden beam of light.

▶ Can you wait for me outside the door?

Why?

The answer comes quick and clear — and honestly, you're not surprised it asked.

▶ It's a bit cramped in there, and I don't remember where I left the paper and pen. I'm just going to turn on the light and look for them.

It obediently curls itself into a tight ball, only its head poking out, resting on the floor as it looks up at you.

I'll wait for you here, then.

You step inside, making sure the door is shut behind you, and flick on the light. With proper lighting, finding the paper and pen isn't hard at all — much easier than fumbling around with just a flashlight, especially with an unknown creature lurking about.

Paper and pen in hand, you take one last look around your cozy study, making sure you haven't forgotten anything.

Wait — there seems to be something over there —

Wha — what something? I don't see anything at all.

It sounds like there's something in the room —

See? This is what happens when you don't get enough sleep. You're starting to have hallucinations and hear things. You should go back to bed —

Beneath that painting, there seems to be —

You've genuinely startled your dear narrator. If this is some kind of prank, I declare you the winner.

There's a hole in the wall —

...

......

.........

I don't understand.

.........

I don't understand why — when you already have me as your narrator — you'd still need someone else to explain things to you?

...

Am I not enough?

...

......

.........

· · · · ·

Suddenly, the room falls deathly quiet.

...

The faint sounds within it become more noticeable. There's a small hole beneath that painting — and the sound seems to be coming from there.

Inside that small hole...

The distant walls are composed of densely packed, thick pipelines, colored in shades of dark red, brown, and orange... resembling the inside of a machine, or perhaps some kind of organic structure.

The surfaces of these pipes are wrapped with colorful thin wires and components, like nerves or electrical threads.

It looks...

A L I V E



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Notes:

Your (the player's) thoughts—italicized and underlined.

When I played through the scene named "..." in the game, I became very interested in the progression of the game and the sudden silence of the narrator. It was evident that this touched upon some secrets the narrator couldn't voice. That's why the narrator even named the scene "..."—to avoid giving us any useful information at all.

So this is where the advantage of visuals comes in. With visuals, even if the narrator says nothing, players can still understand what's happening and what they're seeing, gaining information through their eyes.

But with text, it's different. In a novel, if the narrator disappears or says nothing at all, without words, we have no way to get any information. So here I added italicized and underlined text—this represents the feelings of you, the player and protagonist. It's not an option provided by the narrator, nor is it the narrator speaking; it's purely your own feelings. This serves as a replacement for the narrator in certain scenes where they're absent, allowing the story to continue being told through text.

Just like how suddenly "shouting" in a game might startle the narrator, the narrator cannot predict the player's choices and might be surprised by the player's actions. To be more specific, the narrator doesn't know what the player is thinking or what they'll do next.

So in the novel, the narrator is taken aback by suddenly appearing italicized and underlined text—because the narrator didn't anticipate this move from the player.

But in the game, the narrator's power is immense, so even when something exceeds their expectations, they don't mind. You can see that in games, the narrator propels the story forward almost unimpeded. Sometimes, if the protagonist wants to go out, they need the narrator's permission or approval first. One might even say the narrator seems capable of rewinding time.

In the novel, however, within a world composed solely of text, if the narrator doesn't provide commentary, the story cannot proceed. If they do provide commentary, their secrets risk being exposed. The narrator can't even rewind time, because even time rewinding in a textual world would require textual explanation. So the narrator disappears in the latter half of this chapter—they no longer want the story to continue.

But the narrator underestimated the power of words. The words allowed this story to carry on.